比尔尖刺外壳
艺术教授
2024年春假
自从: 2006
字段组: 艺术
学校地址: 埃弗瑞222年
电话: 909.607.3176
电子邮件: (电子邮件保护)
办公时间: 参见教职员名录
比尔尖刺外壳 teaches courses that support that the 艺术 major’s tracks in Critical Studies and Studio 艺术. Non-majors and those who curious about art and art history are also welcome. 最近的课程包括:
- 美国艺术
- Perspectives on Contemporary 艺术
- 当代艺术是什么时候?
- 艺术与动物
- First Year Seminars: 艺术 in an Age of Protest, Writing 推荐十大正规网赌网站 艺术, Writing 推荐十大正规网赌网站 Animals
- Senior Seminar in 艺术 (for students in the Critical Studies and Studio 艺术 tracks).
Professor Anthes is available as an advisor for 艺术 (Critical Studies and Studio 艺术), 和美国研究.
His research projects and published have focused on Indigenous North American modern and contemporary artists; socially-engaged and activist art; animals in art; and photography. He is a frequent collaborator with the Pitzer College 艺术 Galleries and organized, 本地主机, the public art installation by the artist 埃德加·希普的《推荐十大正规网赌网站》 on the Pitzer campus. You can read more about Professor Anthes’ research 在这里.
教育
PhD, American Studies, University of Minnesota
MA, 艺术 History, University of Colorado, Boulder
BFA, 艺术 History, University of Colorado, Boulder
书
Dakota Modern: The 艺术 of Oscar Howe, co-edited with Kathleen Ash-Milby. Washington, DC: Smithsonian Institution National Museum of the American, 2022.
埃德加·希普的《推荐十大正规网赌网站》. Durham, NC: Duke University Press, 2015.
Reframing Photography: Theory and Practice. 丽贝卡·莫德拉克. 伦敦:劳特利奇出版社，2010.
Native Moderns: American Indian Painting, 1940-1960. Durham, NC: Duke University Press, 2006.
近期论文选集
“Our Cats, Ourselves,” in Candice Lin, Natural History: A Half-Eaten Portrait, an Unrecognizable Landscape, a Still, Still Life (Claremont: Pitzer College 艺术 Galleries, 2022).
“Očhéthi Šakówiŋ Tradition and Multiple Modernisms,” in Dakota Modern: The 艺术 of Oscar Howe, 比尔尖刺外壳 and Kathleen Ash-Milby, eds. (Smithsonian Institution National Museum of the American Indian and University of Oklahoma Press, 2022).
“Making Pictures on Baskets: Modern Indian Painting in an Expanded Field,” in Mapping Modernisms: 艺术, Indigeneity Colonialism, Elizabeth Harney and Ruth 菲利普斯, eds. (Durham and London: Duke University Press, 2018).
“On Settler Knowledge and Indigenous Political Ecology,” in 埃德加·希普的《推荐十大正规网赌网站》: Defend Sacred Mountains, 比尔尖刺外壳 and Ciara Ennis, eds. (Claremont: Pitzer College 艺术 Galleries, 2018),
“Activating ‘The Difference Which Makes a Difference’: Juan Downey’s Decolonial Field,” in Robert Crouch and Ciara Ennis, eds., Juan Downey: Radiant Nature (Los Angeles: Los Angeles Contemporary Exhibitions and Pitzer College 艺术 Galleries, 2017).
2017年:土著未来,” editors’ introduction with 凯特•莫里斯, 特殊体积, “Contemporary Native North American 艺术.” Contributions from Kathleen Ash-Milby, Ruth B. 菲利普斯, 坎迪斯霍普金斯, 杰西卡·霍顿, 凯特•莫里斯, 茱莲妮理查德, 迪伦·罗宾逊, 希瑟Igloliorte, 雪莉Farrell-Racette, 和玛丽·瓦特, with an artist’s project by Postcommodity, 艺术杂志, v. 76, n. 1(2017年夏季).
“Socially Engaged 艺术, Photography, and 艺术 History,” in Activating Democracy: The “我想说的是“项目”，谢丽尔·奥林，埃德. (Bristol, UK: Intellect 书, 2016).
《推荐十大正规网赌网站》 曝光, v. 47, n. 1(2014年春季).
《推荐十大正规网赌网站》，中 Marisol: Sculptures and Works on Paper, 1955-1998, Marina Pacini, ed. (Memphis: Brooks Museum of 艺术 and New Haven: Yale University Press, 2014).
“‘Why Injun 艺术ist Me’: Acee Blue Eagle’s Diasporic Performative,” in Native Diasporas: Indigenous Identities and Settler Colonialism in the Americas格雷戈里·D. 史密瑟斯和布鲁克N. 纽曼,eds. (University of Nebraska Press, 2014)
“Ethics in a World of Strange Strangers: 埃德加·希普的《推荐十大正规网赌网站》 at 首页 and Abroad,” 艺术杂志, v. 71, n. 3(2012年秋季)
Selected Grants, Awards and Honors
编委会成员， American Indian Quarterly (2015年至今).
Creative Capital/Warhol Foundation 艺术s Writers Grant (2009).
阿诺德年代. 格雷夫斯和露易丝. Graves Award for Outstanding Accomplishment in Teaching in the Humanities, Pomona College/The American Council of Learned Societies (2008).
Rockefeller Humanities Fellowship, “Theorizing Cultural Heritage,” Smithsonian Center for Folklife and Cultural Heritage (2007).
访问ing Scholar, Georgia O’Keeffe Museum Research Center, Santa Fe, New Mexico (2003-2004).
